The M64 Mixer

Large console style mixing from your laptop, tablet or smartphone

48 channel mixing

A flexible, dynamic, scalabe mixing experience

With almost twice the DSP power of MOTU's award-winning line of "mk3" audio interfaces, the M64 mixer provides up to 48 assignable input channels.

Aux bus mixing

Long-throw faders for aux sends

The Aux Mixing tab lets you zero in on a single aux bus and control send levels with long-throw faders, just like hardware consoles that let you temporarily "flip" aux sends to the channel faders... perfect for detailed mixing on any aux bus.
Aux Bus

Monitor Mix / Solo Bus

Convenient dedicated monitoring

The monitor Mix is specifically designed for monitoring. It can mirror any other bus, or act as a solo bus for isolating all currently soloed inputs, aux busses or groups. You can, of course, create additional monitor mixes with seven available aux busses.
Solo Bus

32-bit floating point processing

Virtually infinite headroom

The M64's mixing and DSP effects engine employs 32-bit floating point processing, which produces virtually infinite headroom for complex mixing and processing calculations, along with an infinitesimally low noise floor.
32 Bit Processing

Modeled analog EQ

Precise and musical equalization

Equalizer
British analog mixing consoles are renowned for their musical EQ profiles. The M64 meticulously models these classic EQ curve to give you the very same, magical EQ settings found on these coveted desks. Four separate filters are available on every input, including optional low-shelf and high-shelf.

Classic reverb

An all-around verb with tails up to 60 seconds

The M64's Classic Reverb™ provides three frequency bands with adjustable cross-over points, predelay, spread and reverb lengths up to 60 seconds. Perfect for monitor mixes when tracking in the studio or for treating vocals during a live show.

Leveler

Finely crafted vintage compression

The Leveler™ is an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics. The heart of the LA-2A is the T4 opto-coupler, a photoelectric device with almost magical (signal dependent) self-adjusting behavior that makes optical compressors the tool of choice for smoothing out jsut about any audio material.
Compressor

Gate and HPF

Gating and high-pass filtering on every input

Each input is equipped with a standard high-pass filter and gate module for removing rumble, environmental noise, and other signal clean-up tasks.
HPF and Gate